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Fabienne Gallaire<p>L’Anatomie iconoclastique de Gustave-Joseph Witkowski<br><a href="https://panacee.hypotheses.org/3572" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="">panacee.hypotheses.org/3572</span><span class="invisible"></span></a> <a href="https://social.sciences.re/tags/histsci" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>histsci</span></a> <a href="https://social.sciences.re/tags/histmed" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>histmed</span></a> <a href="https://social.sciences.re/tags/histlivre" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>histlivre</span></a> <a href="https://social.sciences.re/tags/artsci" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>artsci</span></a></p>
Fabienne Gallaire<p><a href="https://social.sciences.re/tags/agenda" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>agenda</span></a> Le vendredi 4 avril, à 17h, dans le cadre de l'atelier Ecologies of Early Modern art, Charlotte Colding Smith présentera en ligne :<br>"<a href="https://social.sciences.re/tags/Whale" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Whale</span></a> Strandings and Capture as Indicators of Seventeenth-Century Environmental Change"<br><a href="https://arthist.net/archive/44908" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="">arthist.net/archive/44908</span><span class="invisible"></span></a><br><a href="https://social.sciences.re/tags/animhist" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>animhist</span></a> <a href="https://social.sciences.re/tags/artsci" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>artsci</span></a> <a href="https://social.sciences.re/tags/sciart" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>sciart</span></a> <a href="https://social.sciences.re/tags/histsci" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>histsci</span></a> <a href="https://social.sciences.re/tags/histart" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>histart</span></a><br>(illustration : <a href="https://commons.wikimedia.org/wiki/File:The-whale-beached-1617.jpg" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">commons.wikimedia.org/wiki/Fil</span><span class="invisible">e:The-whale-beached-1617.jpg</span></a> )</p>
Neural<p>Susanna Hertrich / Shintaro Miyazaki - Following the Elephant Nosed Fish. Reimagining Our Sensorium</p><p><a href="https://archive.neural.it/init/default/show/3295" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">archive.neural.it/init/default</span><span class="invisible">/show/3295</span></a></p><p><a href="https://tldr.nettime.org/tags/followingtheelephantnosedfish" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>followingtheelephantnosedfish</span></a> <a href="https://tldr.nettime.org/tags/sensorium" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>sensorium</span></a> <a href="https://tldr.nettime.org/tags/electromagneticfields" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>electromagneticfields</span></a> <a href="https://tldr.nettime.org/tags/criticalmedialabbasel" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>criticalmedialabbasel</span></a> <a href="https://tldr.nettime.org/tags/electromagnetic" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>electromagnetic</span></a> <a href="https://tldr.nettime.org/tags/interference" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>interference</span></a> <a href="https://tldr.nettime.org/tags/artsci" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>artsci</span></a> <a href="https://tldr.nettime.org/tags/artscience" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>artscience</span></a> <a href="https://tldr.nettime.org/tags/bioart" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>bioart</span></a> <a href="https://tldr.nettime.org/tags/bioarte" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>bioarte</span></a> <a href="https://tldr.nettime.org/tags/bioartist" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>bioartist</span></a> <a href="https://tldr.nettime.org/tags/ecoart" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ecoart</span></a> <a href="https://tldr.nettime.org/tags/interspeciesart" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>interspeciesart</span></a> <a href="https://tldr.nettime.org/tags/postnatural" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>postnatural</span></a> <a href="https://tldr.nettime.org/tags/biopolitics" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>biopolitics</span></a> <a href="https://tldr.nettime.org/tags/elephantnosefish" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>elephantnosefish</span></a> <a href="https://tldr.nettime.org/tags/mediaarchaeology" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>mediaarchaeology</span></a> <a href="https://tldr.nettime.org/tags/antenna" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>antenna</span></a> <a href="https://tldr.nettime.org/tags/signalprocessing" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>signalprocessing</span></a> <a href="https://tldr.nettime.org/tags/radio" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>radio</span></a> <a href="https://tldr.nettime.org/tags/radiowaves" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>radiowaves</span></a> <a href="https://tldr.nettime.org/tags/transmissionart" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>transmissionart</span></a> <a href="https://tldr.nettime.org/tags/soundfrequency" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>soundfrequency</span></a> <a href="https://tldr.nettime.org/tags/sound" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>sound</span></a> <a href="https://tldr.nettime.org/tags/soundsculpture" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>soundsculpture</span></a> <a href="https://tldr.nettime.org/tags/acousticspace" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>acousticspace</span></a> <a href="https://tldr.nettime.org/tags/sonicworld" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>sonicworld</span></a> <a href="https://tldr.nettime.org/tags/vibration" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>vibration</span></a></p>
Fabienne Gallaire<p>Projet d’un portail pour un musée de géologie, tel qu’il figure sur le frontispice de Cotta (1856).<br><a href="https://www.sciencedirect.com/science/article/pii/S1631068310000680" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">sciencedirect.com/science/arti</span><span class="invisible">cle/pii/S1631068310000680</span></a><br><a href="https://social.sciences.re/tags/museum" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>museum</span></a> <a href="https://social.sciences.re/tags/fossils" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>fossils</span></a> <a href="https://social.sciences.re/tags/geology" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>geology</span></a> <a href="https://social.sciences.re/tags/NaturalHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>NaturalHistory</span></a> <a href="https://social.sciences.re/tags/histnat" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>histnat</span></a> <a href="https://social.sciences.re/tags/artsci" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>artsci</span></a></p>
Fabienne Gallaire<p>Wednesday, March 5 at 12:30 pm (13:30 CET)<br> Interstices | The Hidden Histories of Women in Botany, a online talk on Gem Toes-Crichton's artistic and historical explorations at the intersection of art, science, plants and photography.<br><a href="https://www.eventbrite.co.uk/e/interstices-the-hidden-histories-of-women-in-botany-tickets-998566117137" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">eventbrite.co.uk/e/interstices</span><span class="invisible">-the-hidden-histories-of-women-in-botany-tickets-998566117137</span></a><br><a href="https://social.sciences.re/tags/histnat" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>histnat</span></a> <a href="https://social.sciences.re/tags/Linnean" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Linnean</span></a> <a href="https://social.sciences.re/tags/artsci" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>artsci</span></a> <a href="https://social.sciences.re/tags/womenInSTEM" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>womenInSTEM</span></a></p>
Fabienne Gallaire<p>Histoire de l'art en Nouvelle-Grenade (Colombie actuelle) :<br>"des plafonds peints à Tunja comprennent des images de la flore locale et de la faune étrangère, comme un rhinocéros et des éléphants face à des dieux gréco-romains, basés sur une série d’estampes de Fontainebleau."<br>19 juin 2025, <a href="https://social.sciences.re/tags/INHA" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>INHA</span></a>, salle Vasari. <a href="https://social.sciences.re/tags/Agenda" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Agenda</span></a> <a href="https://social.sciences.re/tags/arthist" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>arthist</span></a> <a href="https://social.sciences.re/tags/histart" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>histart</span></a> <a href="https://social.sciences.re/tags/artsci" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>artsci</span></a></p><p><a href="http://blog.apahau.org/seminaire-inha-7-seances-les-jeudis-de-16h-a-18h-a-partir-du-6-mars-2025-la-peinture-dans-les-territoires-des-couronnes-despagne-et-du-portugal-1430-1870-sources-objets-recits-collec/" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">http://</span><span class="ellipsis">blog.apahau.org/seminaire-inha</span><span class="invisible">-7-seances-les-jeudis-de-16h-a-18h-a-partir-du-6-mars-2025-la-peinture-dans-les-territoires-des-couronnes-despagne-et-du-portugal-1430-1870-sources-objets-recits-collec/</span></a></p>