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#computermusic

6 posts6 participants0 posts today
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Chang Terhune

You can tell when you're ready to explore MAXMSP when you want to adjust the Repeat rate on a device to play for 3 bars then the 4th either raises the rate randomly or does a specific little jiggle for a varied but less random gesture. And if this makes no sense to you then congratulations because it makes no sense to me either. #maxmsp #max4live #max #computermusic #studiolife

P.S. @sean_ae if you answer this Ima block you because you & Rob typed your way to the moon & back on that AAA. :D

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Philipp von Neumann

👋Hey everybody! A little #introduction of myself:

I'm Philipp von Neumann, a composer-performer of #computermusic 💻🔊. I'm very much interested in sound synthesis, algorithmic structures and experimental approaches to form.

I'm here to find a community of like-minded people that share similar values🚩🏴‍☠️. Currently I'm switching from commercial platforms to the Fediverse to see how many people I can connect with and share my passion for contemporary electronic music.

#newhere#neuhier#intro
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Petr Nuska

#CFP

17th International Symposium on Computer Music Multidisciplinary Research (CMMR 2025)

📍 UCL East, London, UK
📅 3–7 November 2025

Theme: "Sound, Music: Space, Place"—exploring sound, music & computing in cultural and spatial contexts. Tracks include papers, demos, music, installations, tutorials & workshops.

Deadline: 30/05/2025

imerc.blogspot.com/2025/03/fwd

imerc.blogspot.comFwd: 1st Call for Papers: CMMR 2025 “Sound, Music: Space, Place” (UCL East, London, UK) 1st Call for Papers: 17th International Symposium on Computer Music Multidisciplinary Research (CMMR 2025), Lon...
#ComputerMusic#MusicTech#SoundStudies
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Sean Martin 🎙️✨:verified_paw: :donor:

"This synthesizer is the world's first programmable music synthesizer. The first piece of electronic music to win the Pulitzer Prize was made on it. Basically a two voice synthesizer with tone generation and composing in the left hand side and processing on the right hand side, including manual binary for the ordering of the effects processes. Which, for its time, essentially like a Turing computer, was one and a half tons, seven feet tall, 14 feet wide — it's quite a behemoth, but now it's a very large paperweight."
—Seth Cluett, Director, Computer Music Center and Lecturer in Computer Music & Sound Studies at Columbia University

Catch the full article, video, and podcast episode of Music Evolves: linkedin.com/pulse/how-technol

www.linkedin.comHow Technology is Changing the Way We Make Music: A Look Inside Columbia University's Groundbreaking Computer Music CenterColumbia University’s Computer Music Center has been at the forefront of music technology for decades, shaping the way sound is created, studied, and experienced. In this episode of Music Evolves, I get to sit down (and walk around) with Seth Cluett to explore the center’s rich history, its role in
#music#musictechnology#technology
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