Freq<p>The central cinematic thesis of <a class="hashtag" href="https://bsky.app/search?q=%23Sinners" rel="nofollow noopener noreferrer" target="_blank">#Sinners</a> is that music is a mystical force that can be used either to heal or to harm. In this particular context the dichotomy goes from <a class="hashtag" href="https://bsky.app/search?q=%23gospel" rel="nofollow noopener noreferrer" target="_blank">#gospel</a>, by which one can commune with God, to <a class="hashtag" href="https://bsky.app/search?q=%23theblues" rel="nofollow noopener noreferrer" target="_blank">#theblues</a>, by which the guitar becomes a totem of the devil. <a class="hashtag" href="https://bsky.app/search?q=%23filmreview" rel="nofollow noopener noreferrer" target="_blank">#filmreview</a> <a href="https://t.ly/NhXqa" rel="nofollow noopener noreferrer" target="_blank">t.ly/NhXqa</a></p>